One moment, please is benicar a beta blocker drug If so, all fair enough perhaps, or it would be were Orlin willing to drop her postmodern smirk for even a moment and let the dancers speak with any sort of eloquence or sincerity through dance. As it is, the tantalising swatches of movement (and gorgeous close-harmony singing) are incessantly swamped or curtailed by sub-Bauschian, dance-theatre tomfoolery of the sort that even that Belgium’s Anne Teresa De Keersmaeker might consider too tiresome, which is saying something.
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